The Magic Flute (Full Orchestra)
Written by music educator Beryl Peters, Ph.
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WOLFGANG AMADEUS MOZART: OVERTURE TO DIE ZAUBERFLÖTE THE MAGIC Orchestra games magic flute Wolfgang Amadeus Mozart 1756-1791 composed his 2 act comic opera Die Zauberflöte The Magic Flute in 1791, the year he died.
The Magic Flute was an innovative opera form called singspiel check this out to our Broadway musicals that incorporated both singing and spoken click />The opera combines comedy, farce, romance, fairy tale, Egyptian mythology, and Masonic elements.
As was typical for the time, The Magic Flute opens with an instrumental overture.
The following ideas and questions can help you listen to this work: 1 Form in music refers to the musical architecture or the way the music is structured.
The opera The Magic Flute is structured in 2 acts with an opening, introductory, instrumental overture.
The overture played before the curtain opens sets the stage for the action and music to follow and helps the audience emotionally prepare for the opera.
The form of the Overture to The Magic Flute is the classic three section sonata form structure: a first section called exposition that presents 2 themes; a middle development section where the themes are varied and developed; and a final recapitulation section that re-states the main themes.
Can you hear the long, slow stately, introduction that Mozart uses to preface the exposition of the overture?
After the slow introduction can you hear a fast allegro theme that begins quietly and then builds in intensity, suggesting the playful and light-hearted comedic aspects of the opera?
Then can you hear a second, contrasting and complementary theme in a new key B flat major introduced by a series of ascending scales and played out as call and answer between the woodwinds?
Can you identify when the development section of this movement begins?
There are musical clues that can help you.
The beginning of the development is marked by variations of the three slow, solemn chords heard at the opening of the slow introduction to this overture.
After the slow, stately chords, listen to how Mozart develops the main themes in different ways and through various keys and modulations throughout the middle development section of this movement.
Can you hear when Mozart restates the main themes from the exposition with some variation in the recapitulation section at the end of the movement?
This kind of compositional development is characteristic of sonata form, which was typically used by Mozart for his later overtures.
Mozart originally scored this overture for: strings; two each of flutes, oboes, clarinets, bassoons, horns and trumpets; three trombones; and timpani.
In this arrangement for wind octet can you hear two each of oboes, clarinets, bassoons, and horns?
Can you hear the wind instruments trading parts and calling and answering to each other throughout the overture?
Can you hear a slow tempo at the beginning of the overture followed by an energetic Allegro fast and lively?
What dynamics the volume of the musicand expression musical elements that express certain feelings or dispositions are used throughout this overture?
Does the overture begin with loud or quiet dynamics?
What is the overall mood of this overture and how does Mozart achieve this mood?
Do you hear the contrasts between the serious, solemn mood at the beginning and middle of the overture and the light-hearted, playful qualities of the Allegro?
How does Mozart achieve this contrast of mood?
Was the music played at all the same volume dynamics?
When do you hear music played loudly?
When do the dynamics change and what effect does that create?
When does the music get louder crescendo or get quieter decrescendo?
Do you hear musical sounds that are short sounding staccato or very smooth sounding legato?
Which movement features legato sounds?
Where do you hear suddenly loud sounds accents?
Do you hear sections that have a steady rhythm or beat that you could tap to?
Did any particular rhythmic pattern stand out for you that you could listen for in the work?
Was there a particular pattern that you could hear repeated anywhere in the work?
Can orchestra games magic flute hear three different heavy, solemn chords that begin the slow introduction to the overture?
The first chord is a long sound half note followed by a rest no sound.
Then a second chord is heard twice in a short long pattern followed by a rest.
Finally a third chord is heard also heard twice in a short long pattern followed by a rest.
The number three has special significance in this overture and opera and is one of several Masonic references orchestra games magic flute various musicologists have identified in this work.
Mozart was a member of the order of Masons and Masonic influences and ideas may be heard in his later works.
The number three has mystical properties for the order of Masons and references to that ritualistic number abound in The Magic Flute, for example the three chords at the beginning of the overture, the three temples, ladies, and boys in the opera, and the three flats in the key signature E flat major.
Some analysts have compared the sounds of the opening three chords of the overture to the sounds of Masonic candidates who knock three times at the door in Masonic initiation ceremonies.
Whether or not they are Masonic references, these sounds certainly create a feeling of importance and create a serious beginning and sense of anticipation for this opera.
Can you hear the repeated 3 chords from the beginning of the overture anywhere else in this opening work listen around the middle of the overture just before the orchestra games magic flute section?
After the slow introduction, the first theme contains a repeated pattern.
Can you find the sounds of those words in the overture and traded back and forth between instruments?
Where can you hear this rhythmic pattern?
Can you hear any other repeated rhythmic patterns in the overture?
Do you hear high sounds or pitches?
Do you hear low sounds or pitches?
Can you pick out a particular melody played by certain woodwind instruments?
Can you hum or sing that melody?
Could you draw the shape of the melody in the air?
When does it move up higher and when does it move lower?
Can you hear that each of the opening three chords are played higher than the previous chord?
Can you hear the same pattern played at a higher register?
Can you hear these repeated notes traded back and forth between instruments?
Can you hear parts of the melody introduced in one instrument called voice and then imitated at different pitches and heard in other voices or instruments?
This is called contrapuntal writing and is orchestra games magic flute in a musical form called a fugue.
Mozart uses fugal writing in this overture when the theme is orchestra games magic flute between parts so that the same short melody or phrase is imitated by different voices or instruments or heard coming at different points by different instruments.
The word fugue comes from the Latin word fuga meaning chase or flight.
Can you hear how different voices or instruments chase or run from each other?
Can you hear that the second theme is not made up of repeated notes but instead, is a melody that includes ascending and descending scale like passages?
Where do you hear all the instruments playing together so that the sound is thick?
Think of the opening chords of the overture.
The three slow opening chords of the overture introduce the key of the piece and consist of the main tonic chord Isubdominant IVand dominant Vchords of the key of E flat major.
They are referred to elsewhere in the opera, particularly related to the temple and Sarastro, the High Priest.
Where do you hear a thinner orchestra games magic flute where just a few instruments playing or taking turns?
Can you tell which instruments are playing?
Timbre phrase orca video games speaking the different qualities of sound that can be heard.
For example, the timbre of the oboe is different to the timbre of the clarinet, bassoon, or horn.
Can you pick out each of those instruments when they are playing just by listening to their individual timbres?
Does this music sound like any other music you have heard before?
What does this music make you think of?
Can you identify what musical elements may have created that mood for you?
When did the mood change and why?
Did you enjoy the melodies that you heard?
Did the rhythms, dynamics, or tempos used by Mozart help make this work energetic?
Why or why not?
Can you identify which music elements made you enjoy or not enjoy the music?
Try listening to the two other overtures on this concert program, the overture to Don Giovanni and the overture to The Marriage of Figaro and compare the sounds that you hear in these different overtures by Visit web page />How are they the same?
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We need to find compatible co-commissioners and be ready to both initiate and reciprocate.
Our most programmed pieces have been both centrepieces and those that your mystic guardians armor games shoulders on different types of programs.
Lovely to hear a range from the same composer.
It can be tricky finding co-commissioners, but many of us are trying.
It is also easier to program click the following article 15' pieces more often as they will fit on more types of programs.
We need more repeat performances and more information about wonderful new works, long or short!
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Mozart - Magic Flute - Overture - Qatar Philharmonic Orchestra
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Этот вариант мне не подходит.
Я думаю это уже обсуждалось.
Какое абстрактное мышление
Вы ошибаетесь. Могу отстоять свою позицию. Пишите мне в PM, обсудим.
По всей вероятности. Скорее всего.
мне б такой
Хоть я и студент финансового вуза, и тема не совсем для моих мозгов. Но, следует отметить, что для обычной жизни весьма полезно. Лучше видеть опыт других, чем испытывать на своей шкуре.